



Solo Exhibitions
2026 Mary Ryan Gallery, New York
2024 Chini Gallery, Taipei
2020 Sunny Art Centre London
Saul Hay Gallery Manchester
2019 York Art Gallery
2018 Ryan Lee Gallery New York
Saatchi Gallery London
Shandong University, China
2016 Art First London
2015 Hubner and Hubner, Frankfurt, Germany
2014 Art First London
2013 Ryan Lee Gallery, New York
2011 Langgeng Foundation, Jogjakarta, Indonesia
2010 Mary Ryan Gallery, New York
2009 Fine Art Society, London
2007 Today Art Museum, Beijing
Mary Ryan Gallery, New York
2005 Yokohama Museum of Art, Japan
California State University Long Beach
Collections
British Museum
Cleveland Museum USA
Fitzwilliam Museum Cambridge
Haugesund Billedgalleri, Norway
Metropolitan Museum of Art New York
Minneapolis Museum of Art
MIMA, Middlesbrough
Nicosia Municipal Art Centre, Cyprus
Today Art Museum Beijing
Victoria and Albert Museum
Yale Center for British Art, USA
Yokohama Museum of Art
York Art Gallery
Group Exhibitions 2026
Contemporary British Painting Prize, Sheffield and London Another World, Frestonian Gallery, London, 2025
John Moores Liverpool, Walker Art Gallery, 2024
Paradise Lost The Underground Stream, South Devon, UK 2022 Paper after All, Royal Cambrian Academy Conwy 2020
Recent Acquisitions, York Art Gallery
New Light, Scarborough Art Gallery (and tour) 2019
Sunny Art Prize, London 2018
Layers of Visibility, NiMAC Nicosia
New Light, Tullie House Carlisle
Lynn Painter-Stainers Prize, Mall Galleries, London 2017
New Light, Bowes Museum, Co Durham.
Langgeng Foundation Jogjakarta, Indonesia, 2016
Art First London (two people) 2014
John Moores Liverpool
Flow Szechuan Art Academy, Chongqing, China 2013
Graphite GVArt, London
MIMA Middlesbrough 2012
Amalgam, Mary Ryan New York 2011
Dust on the Mirror, ICA Singapore
Drawings for the New Century, Minneapolis Museum of Art, USA Grey, Fitzwilliam Museum, Cambridge, 2010
Dust on the Mirror, Djanogly Gallery, Nottingham, UK 2008
Leaded, Salina Art Gallery, Kansas, USA
Tempo Reale, British School at Rome, Italy, 2006
Until it Makes Sense, Gallery Seventeen, London
Thaddaeus Ropac Gallery, Paris, 2005
Yale Centre for British Art USA

Christopher Cook was born in Yorkshire, England, and studied Literature at Exeter University and MA Painting at the Royal College of Art, London. He received an Italian Government scholarship for three years to work in Bologna, where his colour paintings from this period appeared in high-profile exhibitions such as From Bacon to Now at the Palazzo Vecchio in Florence, Eros in Albion at the Casa Masaccio, and solo shows in London.
Two years in India changed his painting approach to a more haptic practice in which sand drawings inspired a switch to monochrome graphite. These works were soon exhibited internationally, especially in the USA through Mary Ryan Gallery, and entered major collections including the Metropolitan Museum of Art, New York, Minneapolis Museum of Art, and Yale Centre for British Art, and in the UK in the British Museum and Fitzwilliam Museum. The ‘graphites’ received major prizes in the UK, including at the prestigious John Moores Liverpool.
Notable solo shows include Yokohama Museum of Art, Japan; Today Art Museum, Beijing; Heidelberger Kunstverein, Germany; and York Art Gallery, UK, in which meditations on Dutch 17th-century still life painting were exhibited alongside masterworks from York’s collection and loans from the National Gallery, London. This theme reemerged during a residency in Taiwan (2023), works from which were exhibited at Chini Gallery, Taipei in 2024. A retrospective of eight exhibitions with Mary Ryan Gallery was held in New York in 2026.

Emmanuel Tête. Born in 1973. Lives and works in Brussels
My current work revolves around dreamlike figurative drawings, an imaginary world
rooted in pre-Renaissance Italian painting.
Whether philosophical, poetic or political, the subjects I tackle are as much about our
contemporary world, as they are about the nature of painting.
In this little theatre of human passions, while pursuing their “little poetic affairs”, the
protagonists seem oblivious to the pictorial purpose they serve, just as we are, in our
social structures determine contemporary societies.
However, I can only address these social or political issues by moving them into
another world. A world that I also see as a bulwark against contemporary violence.
When I depict a battlefield, it's as much to explore what this subject offers me as a
creative opportunity to express the fears and anxieties that run through me (us). The
painting is always the background,“ said Gilles Aillaud,” in other words, there's nothing
behind it. Interpretations come and go, but only their formal layout remains. And this
physical persistence cannot be denied in the same way as an idea.
Solo exhibitions and performances:
2024 Des nouvelles du royaume, Rossicontemporary, Brussels 2022 Dans la peau du
deluge, Rossicontemporary, Brussels 2019 Poussières, Rossicontemporary,
Bruxelles; Jardin de contes, Bastogne 2018 New drawings, Art Brussels, Bruxelles
2017 Jardingue, Rossicontemporary, Bruxelles 2016 Dessinarrer,
Rossicontemporary, Bruxelles 2014 Credi Poetic, Rossicontemporary, Bruxelles; The
Famous Painter Ping-Pong Tournament, Buktapaktop, Bruxelles 2012 Le
somnambule: la peinture a quitté son lit, Rossicontemporary, Bruxelles; Tout le monde
n'est pas Cézanne (performance), Musées Royaux des Beaux Arts, Bruxelles; Zone
de mobilité poétic (performance), Bruxelles 2011 Images du monde flottant,
Rossicontemporary, Bruxelles 2009 Ticket provisoire, Troisième-ètage, Bruxelles; Maître-achat, Cinéma Nova,
Bruxelles; Salade tout, V-tro, Bruxelles, 2007 Voir, Ateliers Mommen, Bruxelles 2005 A complèter par le chômeur,
Bureau de pointage, Saint-Josse
Group exhibitions:
2024 Le monde a changé, Rossicontemporary, 2019 Territoires, Hôtel Van de Velde,
Ixelles 2016 Au lieu, Rossicontemporary, Brussels 2015 Parfois l'énigme,
Rossicontemporary, Bruxelles 2014 Il y a des mondes, des espaces et des temps pour
tous les êtres vivants, Aplat du jour (performance), Centre Culturel,
Marchin; Panorama, Rossicontemporary, Bruxelles 2013 Champ brodé, Les Drapiers,
Liège; Petitwiels#3 Tomorrow, Credi Poetic (performance), Les Brigittines, Bruxelles
2011 Poriboxkippis, Fumoir n°11, Bruxelles; Canards chevelus, canards perdus,
Dessins & peintures (avec Dominique Thirion), La Charcuterie,
Bruxelles; Vagabondages, Gallery 3H+K & Tadeio Musem, Pori, Finlande; Petit Wiels
# 2 Melting Point, Bureau des réunifications (performance) Café La Brocante,
Bruxelles 2010 Festival Babelgique, Aplat du jour (performance), Dijon;Incomplétude,
S.M.A.K, Gent 2009 A few small changes, discours du ministre de la culture,
(performance) H29, Bruxelles;Trouble-fait, Chez Rita, Roubaix 2008 Il faudra qu'on en
discute demain matin, Galerie Interface, Dijon 2006 A(r)ctivisme, Jacques Franck,
Bruxelles 2005 Thuis in de Beschaving, Ruimte Morguen, Antwerpen; The Return of
the Swallows, Bozar, Bruxelles; Travaïe, Cinéma Nova, Bruxelles 2003 Crash’in
machine, Bureau de pointage de saint-Josse, Bruxelles; Qui décide la beauté, Tunnel
Thomas, Bruxelles; Plaidoyer pour le retour, Bureau de pointage de saint-Josse,
Bruxelles
Monographies: Jardingue, self-published, Bruxelles, 2017; Livre d'Or, self-published,
Bruxelles, 2014
Press articles:
Gilles Bechet, Le drôle de paradis d’Emmanuel Tête, in Mu in the City,
10 octobre 2019 ; Gilles Bechet, Nouvelles du paradis, in Bruzz, # 1678, 4-10/10 2019,
p. 35 ; Stève Polus, La Tête Gallery d’Emmanuel, in Wolvendael, #651, septembre
2019, p. 138 ; Sandra Caltagirone, Parcelles du monde, in L' Art Même, n° 78, 2ème
quadrimestre 2019, p. 52 ; Kurt Snoekx, Une tendre incarnation, in Bruzz, 10-16/05
2019, p. 20-21 ; Guy Gilsoul, La revanche de la musaraigne, in www.focus.levif.be,
3/12/2017 ; Muriel de Crayencour, N'en faire qu'à sa tête, in www.mu-inthecity.com,
30/11/2017 ; Kurt Snoekx, The Secret Garden, in Bruzz, 17/11/2017, # 1592, p.37 ;
Guy Gilsoul, Mais que se passe-t-il dans cette rue ?, in www.focus.levif.be, 1 mai
2016 ; Roger Pierre Turine, "Dessinarrer" selon Tête, in Arts Libre, # 311, 1 avril 2016, p. 2-3
















