



All We Like Sheep (The Chosen Ones), Oil on linen, 150 x 100 cm, 2024.
Joie de Vivre, Oil on linen, 40 x 50 cm, 2022
Athena and Ares, Divine Retribution, Oil on linen, 100 x 120 cm, 2025
The Miser and the Hunter of Souls, Oil on linen,
76 x 61 cm, 2026
Angela Lizon
BA (Hons) at Bristol Polytechnic (1983 - 1986)
Postgraduate scholarship (funded by the Polish government and the British Council) for study at Krakow Academy of Fine Art in Poland (1986-1987)
Elected academician at RWA Bristol 2018
Appointed Vice President at RWA Bristol 2025.
Winner of the Jackson's Art Prize 2026
Drawing on the language of 17th-century Dutch art with its ready-made gravitas - mortality, fragility, ostentation - I have been staging narratives using digital collage, photographs, oversized flowers, kitsch objects and ornaments, investigating the tension between high and low art
The aggressive fairies respond to the well-known photograph of a bare-chested Putin riding a horse, which epitomises for me the hyper-macho posturing prevalent in today’s politics. Symbolically shrinking violence and aggression to a minimal size renders them harmless.
My cultural heritage is reflected in the resultant paintings, a blend of Polish exotica and Cockney humour, which influences the work both atmospherically, emotively and aesthetically. Lockdown 2020 gave me time to take an in-depth look at the flora and fauna of the domestic garden and to reevaluate it as subject matter alongside art historical sources. I now grow and photograph my own flowers, using the bouquet as a stage or backdrop, to intertwine my daily living with my art practice.


Economics the Blockbuster – It’s not Business as Usual
Image credit: Company Drinks
Exploring new ways of being, working and doing business. How can artists reimagine and disrupt conventional ideas of value, ownership, trade and economy? How might artists inspire us to practice our economic life more equitably, radically and sustainably?
We are excited to announce a new project by the Whitworth, presented as part of this year’s Manchester International Festival MIF23.
Economics the Blockbuster is an exhibition that presents a selection of extraordinary art projects that operate as real-world economic systems. Together they propose new ways of 'doing business', driven by the needs and concerns of the communities in which they are created.
Economy includes many things, from the exchange of gifts to caring for others, building trust and sustaining the environment. It happens not only in factories, shops, or offices but in parks, on the streets, and in museums. Building on the Whitworth’s ongoing commitment to being a useful museum driven by a civic purpose, this project addresses economics as a social and financial set of relations that we all take part in.
From a community-led drinks company to an art collective reclaiming plantation land, the exhibition includes new artist commissions, merchandise with a purpose, business collaborations and a live program.
Bringing together existing and new works, the exhibition draws on global strategies explored by artists and arts organisations including: Association de Arte Útil, Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC) and Renzo Martens, Company Drinks, Goldin+Senneby, Kathrin Böhm and Kuba Szreder (Centre for Plausible Economies), lumbung Kios, Owen Griffiths and Alessandra Saviotti, Rosalie Schweiker, The Alternative School of Economics and Tŷ Pawb.
30/06/23
22/09/23
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