



All We Like Sheep (The Chosen Ones), Oil on linen, 150 x 100 cm, 2024.
Joie de Vivre, Oil on linen, 40 x 50 cm, 2022
Athena and Ares, Divine Retribution, Oil on linen, 100 x 120 cm, 2025
The Miser and the Hunter of Souls, Oil on linen,
76 x 61 cm, 2026
Angela Lizon
BA (Hons) at Bristol Polytechnic (1983 - 1986)
Postgraduate scholarship (funded by the Polish government and the British Council) for study at Krakow Academy of Fine Art in Poland (1986-1987)
Elected academician at RWA Bristol 2018
Appointed Vice President at RWA Bristol 2025.
Winner of the Jackson's Art Prize 2026
Drawing on the language of 17th-century Dutch art with its ready-made gravitas - mortality, fragility, ostentation - I have been staging narratives using digital collage, photographs, oversized flowers, kitsch objects and ornaments, investigating the tension between high and low art
The aggressive fairies respond to the well-known photograph of a bare-chested Putin riding a horse, which epitomises for me the hyper-macho posturing prevalent in today’s politics. Symbolically shrinking violence and aggression to a minimal size renders them harmless.
My cultural heritage is reflected in the resultant paintings, a blend of Polish exotica and Cockney humour, which influences the work both atmospherically, emotively and aesthetically. Lockdown 2020 gave me time to take an in-depth look at the flora and fauna of the domestic garden and to reevaluate it as subject matter alongside art historical sources. I now grow and photograph my own flowers, using the bouquet as a stage or backdrop, to intertwine my daily living with my art practice.


No Takeaway
For A Modest Show, artists Arthur Simons and Ell Edwards ate their way from Manchester to Liverpool, afterwards heading down to London and St Ives, greedily studying the menus of each of the Tate Galleries cafes and members' lounges. They salivated over the prospect of eating delicious food in the presence of Dali, Rothko and Duchamp.
Just as the British Art Show 9 tours the UK, these artists decided to tour the country in their own way, via the major British institutions. Through this they ask if ‘our senses can be moved and our artistic appetites satisfied without even stepping foot into the gallery?’ They examine the relation between modern art institutions, public spaces and hospitality by eating their way through the major galleries. This investigation culminated in this Zine as it documents the process through photography, text, drawings, and food reviews.
Find this publication at A Modest Show gallery, Rogue Studios and the Fayre Share Fayre exhibition. Donations for this publication will be collected for Family Action FOOD clubs.
Arthur Simons/Ell Edwards
19/05/22
19/09/22
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