



All We Like Sheep (The Chosen Ones), Oil on linen, 150 x 100 cm, 2024.
Joie de Vivre, Oil on linen, 40 x 50 cm, 2022
Athena and Ares, Divine Retribution, Oil on linen, 100 x 120 cm, 2025
The Miser and the Hunter of Souls, Oil on linen,
76 x 61 cm, 2026
Angela Lizon
BA (Hons) at Bristol Polytechnic (1983 - 1986)
Postgraduate scholarship (funded by the Polish government and the British Council) for study at Krakow Academy of Fine Art in Poland (1986-1987)
Elected academician at RWA Bristol 2018
Appointed Vice President at RWA Bristol 2025.
Winner of the Jackson's Art Prize 2026
Drawing on the language of 17th-century Dutch art with its ready-made gravitas - mortality, fragility, ostentation - I have been staging narratives using digital collage, photographs, oversized flowers, kitsch objects and ornaments, investigating the tension between high and low art
The aggressive fairies respond to the well-known photograph of a bare-chested Putin riding a horse, which epitomises for me the hyper-macho posturing prevalent in today’s politics. Symbolically shrinking violence and aggression to a minimal size renders them harmless.
My cultural heritage is reflected in the resultant paintings, a blend of Polish exotica and Cockney humour, which influences the work both atmospherically, emotively and aesthetically. Lockdown 2020 gave me time to take an in-depth look at the flora and fauna of the domestic garden and to reevaluate it as subject matter alongside art historical sources. I now grow and photograph my own flowers, using the bouquet as a stage or backdrop, to intertwine my daily living with my art practice.


Stirrings
Rachel Goodyear
Stirrings
5th July 2022 closes 26 Feb 2023
Salford Museum and Art Gallery
Over her 20-year career, Goodyear has retained a core commitment to the act of drawing, as well as a commitment to the expansion of drawing as a medium. Throughout her practice, her drawings have found their way onto bus tickets, diary pages and envelopes; as well as onto more conventional sources of paper; while her experiments with drawing as a form have seen her works take shape as sculpture, animation, performance and installation.
For this new exhibition, Goodyear has experimented with scale, making her largest and most detailed drawing to date. With heightened detail, bodies contort, a wolf-pack is tangled into a single entity of snarls and fur and figures explore sensations that hold an ambiguous balance of pleasure and discomfort.
Goodyear often describes her drawings as ‘fragments’ – like glimpses from a half remembered dream or a distorted memory – frozen in a moment. For ‘Stirrings’, alongside new works on paper, Goodyear has also developed a major new installation. With nods to mythological journeys into the Underworld, Dante’s levels of Hell and our continuous scrolling through social media, Goodyear’s animation takes the form of a never-ending descent. With a specially commissioned soundtrack by Matt Wand, Goodyear’s frozen moments are locked in time to be repeated forever.
Rachel Goodyear
05/07/22
26/02/23
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